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...House of the Sewn Tongue, The Black Vestals. We pray that the tomb is shut forever. We pray the rock is never rolled away. We pray that which was buried remains buried, insensate, in perpetual rest, with closed eye and stilled brain. We pray it lives, we pray it sleeps, we pray for the needs of the Emperor All-Giving, the Undying King...
One minute Gideon is doing the stupidest and most perfect thing she has ever done, heroically sacrificing herself so her necromancer can eat her and achieve true Lyctorhood and break Cytherea the First's body into so many little shards of bone and ribbons of fat and flesh that even her own mother (thousands of years dead, and most likely a huge bitch) couldn't recognize her, and the next she's—standing. Whole, the aches in her leg and shoulder gone, her sunglasses perched on her nose, the comforting weight of her longsword1 on her back. She takes a breath, just for the novelty of it, and looks around.
The first thing she notices is how clean it is. No blood, no mold, no grime, no layers of bone dust. When she breathes, she just breathes air, and it feels like extra clean air, which—she looks further around—is probably due to the actual grass on the actual ground. In the distance there are trees. With birds in them.
Is this—this can't possibly be what the inside of Harrow's brain looks like. The inside of Harrow's brain is undoubtedly as spooky as the outside of Harrow's brain, because where would she even have found the imagination to dream up something this—idyllic?? There's nothing even close to it in any of her experience on Drearbruh, and Gideon would know, having been there and actively making that experience worse for all of Harrow's sorry little life.
No, what she's looking at is—a house. A big, boring, white-painted house, not a bone to be seen. "Okay," says Gideon. "What the fuck."
Anyone looking at her will see a tallish (though not for Mansion standards), broad-shouldered and very ripped butch woman, dressed all in black (black tank top, black pants, black stompy boots). She has short-cropped red hair, medium-brown skin, and her face has been painted with stark black and white skull makeup, atop which she has incongruously perched very old-looking aviator sunglasses. Slung over her back is the aforementioned sword.
1 Typist note: the books consistently refer to this as both a "longsword" and a "two-hander," and from the way its weight and length is constantly emphasized I interpret it to be more toward zweihander than longsword. Also, bigger sword sexier.
One minute Gideon is doing the stupidest and most perfect thing she has ever done, heroically sacrificing herself so her necromancer can eat her and achieve true Lyctorhood and break Cytherea the First's body into so many little shards of bone and ribbons of fat and flesh that even her own mother (thousands of years dead, and most likely a huge bitch) couldn't recognize her, and the next she's—standing. Whole, the aches in her leg and shoulder gone, her sunglasses perched on her nose, the comforting weight of her longsword1 on her back. She takes a breath, just for the novelty of it, and looks around.
The first thing she notices is how clean it is. No blood, no mold, no grime, no layers of bone dust. When she breathes, she just breathes air, and it feels like extra clean air, which—she looks further around—is probably due to the actual grass on the actual ground. In the distance there are trees. With birds in them.
Is this—this can't possibly be what the inside of Harrow's brain looks like. The inside of Harrow's brain is undoubtedly as spooky as the outside of Harrow's brain, because where would she even have found the imagination to dream up something this—idyllic?? There's nothing even close to it in any of her experience on Drearbruh, and Gideon would know, having been there and actively making that experience worse for all of Harrow's sorry little life.
No, what she's looking at is—a house. A big, boring, white-painted house, not a bone to be seen. "Okay," says Gideon. "What the fuck."
Anyone looking at her will see a tallish (though not for Mansion standards), broad-shouldered and very ripped butch woman, dressed all in black (black tank top, black pants, black stompy boots). She has short-cropped red hair, medium-brown skin, and her face has been painted with stark black and white skull makeup, atop which she has incongruously perched very old-looking aviator sunglasses. Slung over her back is the aforementioned sword.
1 Typist note: the books consistently refer to this as both a "longsword" and a "two-hander," and from the way its weight and length is constantly emphasized I interpret it to be more toward zweihander than longsword. Also, bigger sword sexier.
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Date: 2024-01-11 03:01 pm (UTC)She stuffs her hands in her pockets and leans in to examine a huge bug with pins through all of its legs, trying not to look too enormously relieved in front of a total babe. "Whose stuff is this?"
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Date: 2024-01-11 04:37 pm (UTC)She pulls out one of the drawers with the dinosaur bones that she looked at before; it's a pretty hefty drawer, large in size with a couple of absolutely gigantic bones in it. "This bone," she says, pointing to a large scapula bone, "belonged to this creature." She turns to one of the dog-eared pages of the dinosaur book she's holding, depicting a Triceratops, and points at it.
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